At least at a glance, there is nothing particularly artistic
about surgery or white medical coats. Yet as reviewed in lectures, both in this
course and in others, there is a substantial link between the two.
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| Da Vinci's rendering of cardiac anatomy |
Leonardo da Vinci is famous for his art, but he was also
instrumental in the West’s understanding of the human body. Working around
religious restrictions, he performed as many dissections and autopsies as he
could, putting his artistic abilities into use to draw diagrams of what he
uncovered, such as the meninges in the brain. Similarly, Santiago Ramon y Cajal
worked in the 19th century to identify and draw out various types of
neurons. Although he had wanted to be an artist as a boy, he used his artistic
talents to create detailed diagrams that still appear in textbooks today.
Vesna’s lectures mentioned the Bodyworks displays, which use
a process called plastination to preserve bodies or body parts by removing the
water and body fat, replacing them with enduring plastics instead. Although I
had only thought of these as scientific displays, they also demonstrate the
inherent art of the human body – quite literally. Eduardo Kac’s Bio Art similarly plays upon
principles of biology to create art, such as the “GFP Bunny,” which uses a
combination of jellyfish and rabbit genes to create a bunny that glows under
blue light (GFP refers to the green fluorescent protein often used in
microbiology). While I am familiar with the mechanisms of transgenics as used
in biology, implementing them in an artistic format is to me both new and
fascinating. In another exploration of the possibilities opened up by science,
Kevin Warwick implanted chips into his arm that could link his nervous system
with a computer, a process that could prove an invaluable asset to the disabled
community. The chips themselves are on display.
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| A BRAINBOW, a new and aptly named neuroimaging technique |
As a neuroscience major, I have come into contact with the
blurred lines between medicine, art, and technology far more often as of late.
Da Vinci and Ramon y Cajal both relied upon artistic prowess to spread their
discoveries throughout the scientific community. The hippocampus, a structure
of the brain involved in memory and learning, is named rather whimsically for
the seahorse its structure is reminiscent of. As does much of medicine,
neuroscience relies upon imaging techniques to provide sharper, clearer
diagrams of the function of the brain. And these images are invariably
beautiful.
Sources:
1.
Jones, Roger. “Leonardo Da Vinci: Anatomist.” The British Journal of General Practice. Royal
College of General Practitioners, June 2012. Web.
2.
Bentivoglio, Marina. “Life and Discoveries of
Santiago Ramon y Cajal.” Nobelprize.org, 20 April 1998. Web.
3.
Lecture
4.
Kac, Eduardo. “BIO ART.” BIO ART: Transgenic
Works and Other Living Pieces. Web.
5.
Warwick, Kevin. “Achievements.” Kevin Warwick,
2000. Web.
Images:
1.
Wells, Francis. “Leonardo Da Vinci and Cardiac
Anatomy.” Warwick Neurosciences Society. Web.
2.
Garcia-Lopex, Pablo, Virginia Garcia-Marin, and
Miguel Freire. “The Histological Slides and Drawings of Cajal.” Frontiers in Neuroanatomy. Frontiers
Research Foundation, 2010. Web.
3.
“Brainbow.” Cell Press, Cell.com. Web.



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